White Blood Cells [Vinyl]

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	White Blood Cells [Vinyl] This, the much anticipated third album by Detroit's critically acclaimed brother and sister duo, The White Stripes was recorded in early February this year at the legendary Easley Studio in Memphis, Tennessee and if The White Stripes were the Velvet Underground this would be their Loaded. It's becoming apparent that THE WHITE STRIPES ARE the great white hope and they have developed an enthusiastic following across the country and around the world. White Blood Cells has 15 original tracks performed by Jack and Meg White, no orchestras, session musicians or studio trickery has been employed. 2001 release. [else] Rock & roll is constantly splintering into multiple personalities. Big radio players layer thick slabs of studio shine on their albums, while back-to-the-basics rockers keep the sound so raw it rubs calluses on your ears. The White Stripes fall in the latter category. The duo strips down to the fundamentals of Meg White's simple drumbeat and Jack White's garagy guitar and pleading vocals. While the elements are sparse, the Detroit act create a noisy, hip-grinding batch of punk R&B, displayed again on White Blood Cells, the Stripes' third full-length. While it's hard to pick favorites from such talent, this band only gets better with time. White's vocals were sounding like a young Robert Plant on De Stijl--definitely not a bad thing--but on Cells, he's developed his own persona. He throws musical fits on "Fell in Love with a Girl," gets almost loungy on the piano number "This Protector," and keeps the blues vibe running on "Now Mary." The album is so rich with basic variations on a simple theme it's hard to believe such soulful energy comes from just two people. White Blood Cells is an amazing piece of work, a benchmark that ought to inspire new legions of garage rockers for years to come. --Jennifer Maerz

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